In the works: a live-stage treatment on the little-known “human side” of Dr. Death, Jack Kevorkian
By Dave AndruskoEarlier this year, January to be specific, pro-life bioethicist Wesley J. Smith wrote a column, spurred by a student who wrote to tell Wesley that he was writing a paper about the historical significance of Jack Kevorkian.
The column was quite brilliant and ended on this note:
I really hope K goes down badly
in history–or better yet, is forgotten altogether. Because if tomorrow’s
history books lionize him as a visionary leader of freedom, the culture
of the West will be as dead as Kevorkian’s 130 “patients.”
Kevorkian was prepared to go to
prison if it meant raising awareness of what he considered to be our
nation’s backward, oppressive euthanasia laws… Part of what made
Kevorkian such a prominent public figure was his zany personality,
coupled with a dramatic flair that “brought a certain approachability to
a grim subject,” as TIME wrote in Kevorkian’s 2011 obituary.
I don’t know who it was but someone once wrote to the effect that we will be cursed with the legacy of Kevorkian–“Dr. Death”–for the foreseeable future, and probably a long time after that.
Why do I mention all this? Because Kevorkian has a perverse–I chose the word carefully–appeal for certain artists who for reasons best known to their psychologists find meaning in Kevorkian’s efforts at “art” and his pose as a rebel.
Take the art exhibit in 2014 where eleven of Kevorkian’s paintings were up for sale in Los Angeles at upward of $45,000 per canvas. What were they of? According to Sabrina Bachai, writing for Medical Daily,
“The exhibition of the
Michigan-based doctor has paintings ranging from pictures depicting CAT
scan machines to paintings of a suicide machine. Among the series of
paintings depicting human suffering is one called ‘Paralysis.’ The piece
shows a naked man crouched in a claustrophobic prison, half his body
turned to stone, his arms and legs useless, and his brain removed.
Another series included, the ‘Thanatron,’ which is a medical contraption
that helped to inject drugs into terminally ill and incapacitated
patients who wanted to end their lives. It’s going for $25,000.
And most NRL News Today readers remember the grotesque HBO
glorification of Kevorkian, played by Al Pacino, which earned Pacino an
Emmy and Golden Globe.Well…and I am not kidding–the same man who brought you “You don’t know Jack”–Steve Jones, CEO of Bee Holder Productions–
plans a live stage treatment on
the little-known “human side” of assisted-suicide advocate Jack
Kevorkian, who between 1990 and 1998 was involved in more than 130
deaths. Don’t expect an evening of song and dance, but the tentatively
titled “Dr. Death: Jack of All Trades” will include an “entertaining”
view of the late Kevorkian’s art, music, and writings.
What in the world is the connection between the creator of “the ill-fated DeLorean gull-winged door sports car” and the builder of the Thanatron?
“Both men were visionaries.” “Both of these men led incredible lives,” Jones told the Detroit News’ Mike Martindale.
Kinda weak. Then…
Acting as consultant, on both
projects, is well-known Birmingham attorney Mayer Morganroth, who more
than a decade ago successfully defended DeLorean in 40 civil and
criminal cases seeking in excess of $1 billion from DeLorean.
Morganroth recalls DeLorean as
being very outgoing and generous — even loaning the attorney his
Manhattan apartment. But he also recalls him as very shrewd — at one
point trying to sue Morganroth for legal malpractice to avoid paying $8
million in attorney’s fees racked up over a decade.
Kevorkian and Morganroth became
friends, he said, a relationship he still treasures. He aided in
Kevorkian’s legal efforts — Kevorkian chose to defend himself in his
final trial — and as executor of his estate since his 2011 death.
Source; NRLC News
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